Return Journey: phones, plimsolls and Stoke-on-Trent

Travelling home, facing forward.

It will soon be midnight. There are no clouds now, at least none that I can see as I look out of the window, or rather into it, for I am presented with a blurred version of the carriage in which I sit. Coach A, the quiet carriage. (But all the carriages looked quiet and empty as I walked along the platform, relieved that I had made it on time.) Beyond or inside my reflection, somewhere in the blackness, there is a cluster of lights, yellow and white, marking the edge of some faraway reality, a town or village. The cluster becomes a string as the train surges on. This is the last train of the day. By the time I reach Manchester it will be tomorrow. The announcer affects a silly, jocular accent. He swings his voice up and down, sliding through vowels and twirling his sentences at the end. Stoke-on Trent becomes something like Stork Untrained. Is he attempting a crude northern accent? No one laughs. At first he sounds simple or cheerful (the two often coincide). Then he sounds menacing. I imagine him sat in his underpants, clutching a meat cleaver, as he trills his way from Watford Gap to Macclesfield, singing the names of stations we might never reach.

There are not many passengers on this train. We stretch our legs. We define our kingdoms with jackets and books and canned drinks. Four seats for every person: unthinkable luxury, the commuter’s dream. There are no rowdies, no swaggering suits or boisterous tourists. A petite woman is curled across two seats, wrapped in a grimy red coat, sleeping. “Legs in, please,” says a man in a blue uniform as he passes through the carriage. The sleeper does not respond: her plimsolled feet are poking into the aisle. The man moves them out of his way, as if turning a handle, and receives a mumble for his trouble. He says something I cannot catch. A large round woman with a surprisingly young face is playing with her phone, pink fingernails pecking at the screen. She is talking to a companion I cannot see. Her observations are met with dunno and maybe and finally silence.

My face in the window looks tired. I am tired. I’m pleased to be facing forward, travelling home in this tube of pale light and cream moulded plastic. Out of the darkness, a station appears, excavated from the night. It looks rickety, insubstantial, held together by a rig of thin lights and slanting shadows. I cannot see the station’s name. It slips away and my window becomes a mirror again. I am two hours away from my bed, rushing towards sleep and temporary oblivion. The announcer tells us, in the jaunty voice of a children’s entertainer, that the buffet bar is open, selling a range of hot and cold snacks, hot beverages, teas, coffees, etcetera, alcoholic beverages, crisps, snacks, etcetera.  But cash only, please, there is a problem with the card reader. The sleeping woman is awake now, sat up like a judge and looking straight ahead, as though terrible things were told to her in her sleep. A man is speaking on his phone, a low grumble: “It’s in the kitchen. I told you. Yes. I did. In the kitchen. Yeah. No. Not in there. Kitchen. By the. I don’t need this. Where I said it was. By the thing. You do know.” I hear another voice behind me. “Tickets, please, tickets, tickets.” That’ll be the man in the uniform. My reflection has an anxious face, floating out there in the variable darkness. My reflection yawns. Tickets, please, sir. I look up and the uniformed man, his mouth overfilled with teeth or sweets, is asking for my ticket. I show him. He nods and moves on, into someone else’s dream.

Travelling Backwards

Thoughts from a train

I’m travelling backwards through the English countryside. Trees and bridges flicker by, while the fields in the distance seem to move at a slower pace, sliding out of view, turning unhurriedly beneath the enormous sky. It is as though the land is not solid at all, but molten and shifting, full of currents and channels that only become evident from the window of a speeding train. The world approaches, then flies away.

‘Look at the trees,’ says a young girl.

‘Yes,’ says the woman I assume is her mother.

‘You didn’t see, you weren’t looking.’

‘I was, I was, sweetheart.’

‘You weren’t.’

I am in coach A, the quiet coach, where electronic gadgetry and impulsive gobs must be kept under control. The rage of rappers must not leak from headphones. Please kill your alien warriors quietly. Curiously, I am facing the rest of the passengers. I am on a table at the end of the carriage, facing backwards, while almost everyone else is facing forwards. I feel like a cox. Perhaps I should bark instructions. ‘Read your book. Concentrate.’ ‘Don’t rustle that bag.’ Or perhaps I am an invigilator at an exam. Shush. No talking. The young girl is still mesmerised by the twirling trees, and shouts about them with such joy that no one dares remind her mummy that we are in the quiet zone.

From Manchester to London, the train rattles on. Yes, it rattles. Occasionally. Sometimes it even lurches. But it is a mostly pleasant way to travel, provided you have a seat. Sleepers and texters. Nose-pickers and fidgeters. The mother is chatting to her friend (or perhaps it is her sister). This is the quiet coach but there are no business men staring with psychopathic intensity at laptops. I am sat next to a reader. The bookmark on the table bears the logo of Daunt Books. The reader has a high forehead and heavy-lidded eyes. He reminds me of a friend. I am intrigued to know what he is reading. His paperback looks smart and literary, a cool grey-green cover, but I cannot see the title or the author’s name. I say I am intrigued but I’m not intrigued at all. Neither, it seems, is he. He spends more time checking his phone than he does reading his elegant book. Ah, it’s called The Iceberg. I’ve not heard of it. Have you? Is it good? Shame on me. I can smell the toilet – a warm confection of chemicals and faecal matter – soft dumps and blue poisons.

The laptops are out now, but everyone is behaving themselves. It is a bright day. The clouds look freshly laundered. They look cleaner and brighter than the ones I left behind in the city. These clouds remind me of the clouds in those brilliant old paintings of saints and scholars you see in the National Gallery.

Ted Baker. Fred Perry. There’s Ralph Lauren. We pass an expanse of meadows and marshes. The tall grasses undulate and ripple, waving me away. Shrubs and brackish water. Lanky wildflowers firing off rockets of pink and yellow. I’m travelling backwards from Manchester, my home, to London, where I was born and raised. Except I never really thought of myself as a Londoner, especially not with Irish parents. None of us at school really thought of Ilford as part of throbbing London. The city was Soho and Trafalgar Square and Hyde Park. All we had was C&A and the Kenneth More Theatre. London was where the news happened, a thrilling otherness – a place of sex, music, drugs, murder and history. We were caught in the blandlands between Essex and east London. (And London for me started at Manor Park and didn’t really get going until about Forest Gate). But maybe it was just me. Even at home I felt that I was on the edge of things, although I doubt I could have told you what those things were.

Everyone is quiet, even the observant child. She has long tired of trees. She is sleeping on her mother’s lap. There are no accents to assess and gauge. Eyes sometimes connect – but it feels like an intrusion, an accidental touch of hands. My orange juice is nearly finished. I shall not brave the toilet.

I have nothing to read, which is unusual for me. I was going to bring The Beginning of the End by Ian Parkinson but I changed my mind at the last minute. It disrupted the feng shui of my pockets.

Warehouses with smashed windows and grubby brickwork. Cooling towers – monuments from another world. We are nearly there. It won’t be long. Jackets and holdalls are rescued from the rack. I check my pockets. I pack away my notepad and pen. London. This is my home city but I do not live here. My home is in Manchester but that is not my city. It feels good not to belong, not to be implicated. And yet the purpose of my trip is all about belonging, or wanting to belong, for I am attending a football match. The mother of the observant child is struggling with various bags and cases. I lift one on to the platform. “You’re welcome”, I say, and head for the exit, full of anticipation, with a creased shirt and a spring in my step.

What they said about The Visitors

Praise for The Visitors

Stephen Hargadon The Visitors

Illustration by Richard Wagner


Subtle, well observed, beautifully nuanced – Nicholas Royle @nicholasroyle


Stephen Hargadon continues his impressive run in the pages of Black Static with The Visitors – a first-person narrative that flows along with stream-of-consciousness ease as our narrator relates to us the details of his personal history, and his days spent perched at the local bar drinking pints of IPA as the conversations of others chip in around him. The really impressive thing about Hargadon’s writing is his ability to put you, as the reader, right in the place where he wants you – as though sitting at the table with his narrator as the general bustle of life continues around your conversation, and he occasionally interjects about getting another drink just as soon as there’s a space at the bar or he’s finished talking about the current topic.

The more obviously fantastical elements of Hargadon’s previously published work in Black Static are toned down, here – though things do come to a close on a weirder note that happily flirts with the ghostly versus the unreliable narrator, making for a strangely satisfying finish that presents its final reveal like a punch line … A damned good read? You bet.

Gareth Jones at Dread Central


I could quote every sentence in this story as a particular gem … this is a Hargadon ‘perfect storm’ of a Friday evening in a British city pub … life itself seen through the half-cynical, half-spiritual prism of pubtalk … A genuine irresistible last one for the road.

D.F. Lewis at Rameau’s Nephew 


… an enticing journey into the world of British pubs …

Mario Guslandi at Hellnotes.com

 


… a nice sting at the end.

Sam Tomaino at sfrevu.com


Illustration by Richard Wagner

Illustration by Richard Wagner

The Visitors

Do yourself a favour and check out the Brown Bear. You know you’re thirsty.

Stephen Hargadon The Visitors

New story The Visitors is published in Black Static 45.

http://ttapress.com/blackstatic/

The March–April issue contains new dark fiction by Steve Rasnic Tem, S.P. Miskowski, Laura Mauro, Stephen Hargadon, Emily B. Cataneo, Andrew Hook, Cate Gardner, and Danny Rhodes. The cover art is by Richard Wagner, and interior illustrations are by Richard Wagner, and Ben Baldwin. The usual features are present, including the regular comment columns by Stephen Volk (Coffinmaker’s Blues) and Lynda E. Rucker (Notes From the Borderland); Blood Spectrum by Tony Lee (DVD/Blu-ray/VoD reviews); Case Notes by Peter Tennant (book reviews), which includes an extensive interview with Helen Marshall.

 

 

January Update: World of Hargadon

January has been a busy and productive month. I’ve finished three short stories. (Or rather I finally reached a point where I found their imperfections tolerable, almost likeable. Call it a kind of marriage.)

Most of my recent stories – “World of Trevor”, “The Bury Line” ­– have been urban affairs. John Gray, George Crease, Savoury Vince and others inhabit a zone of sodden pubs and airless offices. Thrusters, topers, mumblers, texters: they breathe the sullied air of the city, its spores and dirt.

One of my new stories, however, takes place in the north-west of Ireland, where the raw Atlantic brawls and roars along the coast. It’s a landscape I know well, having spent many a long summer there as a child. Damp rooms and pictures of Jesus. Red lemonade and soda bread. Cowpats, silage, incessant rain. But it wasn’t these memories that drove the story. It is based on an old Irish myth.

With my second January production, I returned to more familiar territory. A love-affair (of sorts) set in the type of ordinary, concrete and glass office-block we see in most cities. (Or perhaps we don’t see them at all.)

The third story features, among other delights, an encounter in a fried chicken shop.

The stories are out there now, in the ether, looking for a home, a refuge. I’ll let you know if any of them find shelter.

Earlier this month I took the train to London. I visited two exhibitions: Terror and Wonder – The Gothic Imagination at the British Library and the Institute of Sexology at the Wellcome Collection. Both were highly enjoyable. The Institute of Sexology runs till September 2015 and is free to enter. So if you’re ever strolling along the Euston Road and fancy something stimulating, the Wellcome is well worth a visit. Natty cafe and shop, too.

I have not bought any new clothes. This is not really a resolution. More a vague aim. I reacquaint myself with those hardly-worn shirts at the back of the wardrobe. I tell myself that not buying clothes is a very eco-friendly, earth-loving thing to do. But it is probably no more than the start of a rampant miserliness. By the end of the year I will be reduced to digging out ever more obscure items from the wardrobe, from under the bed: I’ll be drinking my fruit mocktail in the Ape and Apple wearing pink swimming trunks and a leather poncho. Please note: accessories do not count as clothes. So I will no doubt acquire a scarf-a-day habit. I’ll be bandaged in scarves, a Tootal mummy.

I continue to amass books. The other day I popped into Oxfam on Oldham Road. I merely wanted to escape the cold. I came out with Astrid Proll’s Baader Meinhof: Pictures on the Run 67-77, a first edition of Burgess’s MF (with dustjacket), and a cheeky little volume on saucy seaside postcards. They join the ever-expanding, ever-rising ziggurat of unread books . . . Derek Raymond’s He Died With His Eyes Open and A State of Denmark; Walls by Marcello Di Cintio; The Drinker, Hans Fallada; Another Part of the Wood, Beryl Bainbridge; Nightmare Movies, Kim Newman; Nightmare Alley, William Lindsay Gresham; DF Lewis’s The Last Balcony (signed); John Collier; Knausgaard; Woody Allen;  Gogol; Stephen King; Vivid Faces by RF Foster;  This Way for the Gas, Ladies and Gentlemen by Borowski; Lee Rourke’s The Canal;  Ann Quin, Berg; Randall by Gibbs; Nikil Saval’s Cubed; Elspeth Davie’s The High Tide Walker. And the list of the Unread keeps growing. One night, as I lie in bed, these books, the great Unread, will rise from their dusty shelves and entomb me.

But before I sleep I must work. I must get back to the real stuff. And so should you.

Merry Trevor

Looking for something to while away the time as you sup your fifth pint of Diamond during an aborted shopping trip? A Christmas gift for that picky loner in your life? Perhaps you’re not sure what to get the family toper? Or for the woman who has everything and nothing? Or are you simply seeking a dark, disturbing bedtime read as seasonal revellers scream and sing outside? Then step this way, ladies and gentlemen, into the World of Trevor . . .

World of Trevor is now available as an ebook. Buy here.

Remember: Trevor is for life, not just Christmas.